Love Note – TV 2019

After watching the first season of Netflix’s Master of None in 2015, I casually appropriated Dev’s declaration that we were living in the ‘Golden Age of Television’. I mostly bring out this phrase when I want to irritate my boyfriend with semi-pretentious cultural musings, but I think it has fairly accurately described the creative output for the small screen over the past few years. Of course, there have been great television series prior to the Noughties and Teens of the 21st Century, but the quantity of high-quality and compelling drama available to binge watch and tune into every week is at an all-time high. Indeed, I feel like I’ve reached a personal saturation point with all this television. There’s always something I feel like I ‘have’ to watch, that I ‘can’t miss’, a show that’s absolutely amazing. I’m sure they all are, I really do. I just don’t have the time or the emotional energy to spend on them all. When I watch a TV show, I get utterly and overly enthralled and involved with what’s going on, which means that I just can’t commit to all the ups and downs and twists and turns to all these shows all at the same time. It’s just too darn much! Additionally, I spend a lot of my waking time at work or getting to and from work and, as a result, my down time feels very precious to me. Watching TV every night of the week just isn’t the most valuable use of my time. I’ve consciously tried to read more, do cooking, go to the gym and catch up with friends over the phone or face-to-face so that I really make my free time meaningful.

Having said all of that, I am really looking forward to 2019’s TV offerings. They are all returning shows that I have become very emotionally attached to over the past few years. Continuing these stories, or re-emerging myself in the style of the anthology shows, is a very exciting prospect. I may be a bit of a stick in the mud when it comes to watching TV, but these shows are going to have my undivided attention. Obviously, writing a Love Note before watching the shows is pretty presumptuous, because they may all turn out to be crap. This is as much a Love Note to healthy anticipation as it is to the good stuff on the box.

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True Detective – Season 3

I watched the second series of True Detective before the first and hold the perhaps unpopular opinion that it is as every bit as amazing as its predecessor. True Detective season 1 saw the birth of the McConaissance, was thrilling to watch and brought existential malcontentedness to the small screen in an utterly compelling and accessible way. Yet, season 2 was every bit as fraught and tense, if not moodier. The inner turmoil of the main characters was drawn out like a long spool of string, with episode 6 in particular providing revelations and the most heart-stopping escape scene I have ever watched on TV. Additionally, Vince Vaughn’s performance was transformative.[1] After a long break, we have the next series starring Mahershala Ali and I am very excited for the broody detective and emotional work to commence.

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Big Little Lies – Season 2

There’s no denying that Big Little Lies was a commercial and critical success when it was released in 2017, with its haul of awards at the Emmys, SAG Awards and Golden Globes a testament to the fact. It’s set to get even bigger with the arrival of Meryl Streep playing Alexander Skarsgard’s mother, as we inevitably witness the fallout of the chaos that revealed itself in the last series. I loved Jean Marc Vallee’s direction of the first season, with its patchwork, dreamlike construction of the women and their entangled, complicated lives; but I am as excited about Andrea Arnold who has taken up the mantle this time round.

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Game of Thrones – Season 8

Last season ended with a hell of a ‘holy shit’ moment. Spoiler alert guys, but The Wall is down and personally, I am terrified that that has spelt the end of Tormund who was on The Wall at the time. We’ll just have to wait and see. What we have been building up to since the first moments of the first season is coming to fruition and there’s no doubt that the final twists and turns of this amazing series are going to be epic. I have long had a sneaking suspicion that Game of Thrones is an allegory about climate change (stupid humans fighting amongst themselves, burning children, catching greyscale and having sex whilst ignoring/unaware of the Night King and his army of the dead accumulating momentum) – but maybe that’s an article for another time. I am slightly sheepish about the feature length episodes that we will have to commit to, but it’s the biggest conclusion to a TV series, perhaps, ever. I’m here for that.

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Stranger Things – Season 3

I was so glad that the Duffer brothers decided to take a break between the second series and the third. Whilst I loved season 2, it felt like there had been a slight rush to get it out after the unbridled success of the first. As such, it was suffering a little from what I’ll called Star Wars Syndrome: there were a few new characters and a few new tensions to explore, but the main premise and action was very similar. Instead of exploding another Death Star, the cast were once again turning Joyce’s house into a living and breathing map of The Upside Down and Eleven used her powers to stop the monsters. Now that the writers have had some breathing space, I think Stranger Things 3 is going to be a cracker. In particular, I’m looking forward to my faves returning to the screen: Steve, Erica and Joyce.

The Real Housewives of Beverly Hills
Season 9
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The Real Housewives of Beverly Hills and New York

My beautiful beloved trash. I have so many questions: what the hell happened between Lisa Vanderpump and the rest of the Beverly Hills gang? What on EARTH is Brandi Glanville doing back? Will Lisa Rinna’s pill bag make an appearance? How will Carole Radziwill’s exit affect group dynamics in New York? Will Dorinda get messy after another dirty martini? Will Bethenny Frankel stop picking on Ramona and just accept that she’s slightly unhinged but the best thing since sliced bread? SO MANY QUESTIONS.

 

[1] My friend and I watched episode two first by accident, which opens with Vince Vaughn delivering a monologue about his father whilst staring at a mould stain on the ceiling. We thought this as an unbelievably audacious way to begin a series and were totally here for it. We soon realised that the disorientation we experienced soon afterwards was not a narrative construction but the fact that we’d missed an entire hour of set-up. Nevertheless, Vince Vaughn’s acting here is just amazing.

Love Note – Non-Christmas Christmas Films

I am not a Christian, but I have always loved Christmas. I acknowledge that in many ways it has become a consumerist shadow of its former religious and spiritual self; but nevertheless, I have been lucky enough to have lived 26 Christmases so far full of fun and festivity. Additionally, the idea of ‘peace on earth and good will to all men’ has never felt timelier or more desperately needed. The story of a displaced family and the birth of their baby in the most humble and desperate of circumstances is still very much a story for our times.

The festive period is as much about the build up to Christmas as it is about Christmas Day itself. There is no shortage of Christmas activities to get involved with, for example listening to music, writing cards, ice skating, baking, wearing jumpers, drinking mulled wine and eating all the food available with family and friends. Watching films has always been an excellent way of tapping into the Christmas spirit and I don’t need to tell you that there are a plethora of films about Christmas that are worth digging out every year. In addition, I have a few favourites that always make their way out in December that aren’t necessarily specifically festive, but embody a little bit of what Christmas should be all about.

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To Kill a Mockingbird, 1962 – A gorgeous old film based on a gorgeous book about justice, growing up and both protecting and fighting for the vulnerable. In place of a bearded man in a red coat handing out gifts, we have Gregory Peck’s masterful turn as Atticus Finch: wise, caring and as much of a sensitive, commanding presence on his porch as he is in the courtroom. This film is the gift that gives on giving.

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Edward Scissorhands, 1990 – The tenuous Christmas link comes with the large presence of snow that Edward creates with his scissorhands (and the fact that the magical Danny Elfman score has been used in a plethora of Christmas adverts over the years). This film is a fairytale set in sugary suburbia, rooting for the societal underdog against the backdrop of fickle public opinion. It is important to note that I have fallen out massively with Johnny Depp over recent years, but I am still so here for Winona Ryder.

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The Life of Brian, 1979 – This could technically be classed as a Christmas film because it begins with the nativity of Jesus and Brian, and then follows their lives up until the latter’s crucifixion. But I am including it here because as well as being absolutely hilarious, the film propagates heavily for critical thinking as opposed to mob-like sheep mentality. Plus there’s a useful Latin lesson in there for anyone interested.

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101 Dalmatians, 1996 – This film’s stars are adorable spotted puppies and Glenn Close as Cruella De Vil, leaving little else to be said. I have written previously about how, killing animals and psychopathy aside, Cruella might just be one of the greatest style icons of all time and that view still stands. Fashion aside, however, this film primarily revolves around family unity, adventure and features delightful snowy countryside. Perfect Christmas fodder.

New Zealand: podcasts we listened to

I have come to the podcast game very late indeed. Friends have been recommending podcasts for years and years but I just never got involved. Whenever a cultural phenomenon or ‘thing’ has been hyped up and managed to pass you by, which for me also includes watching Jumanji, Jurassic Park, Breaking Bad and listening to any albums by The Arctic Monkeys, it’s hard to motivate yourself to get on the band wagon. Feminist friends and film buffs have linked me all sorts, yet I have remained a stick in the mud and never got round to listening to any of them. Apparently, however, it took the prospect of four 11 hour flights and six weeks of driving around New Zealand in a campervan to get me out of the gate. Armed with my recommendations and CastBox newly downloaded onto my phone, I sunk my teeth into the following shows:

My Dad Wrote a Porno

My Dad Wrote a Porno

I did not know what I was getting myself into with this podcast, except that it had caused the friend who recommended it to keel over with laughter whilst out on a run. It is potentially the weirdest concept ever: Jamie Morton reads out the erotic novel Belinda Blinked, written by his dad under the pseudonym ‘Rocky Flintstone’. Alice Levine and James Cooper critique, comment and cringe along as we are dragged through the absurdly lascivious world of Belinda Blumenthal, the sales director and sexual maven of Steele’s Pots and Pans. Any lingering Freudian weirdness- that of a son reading his dad’s erotic constructions- is soon eclipsed by the novel’s monumental and unintentional hilarity: it is unpredictable, graphic and glorious. Part erotic novel, part business manual, part prolonged plotless and syntactically challenged sexual insanity and part fake news in its explorations of the female anatomy (Peter Rouse did not grab Belinda by the cervix to pleasure her), Belinda Blinked had us hooked from the beginning. Even when vivid images of men in black thongs, breasts hanging like pomegranates and the most perverse tombola ever conceived left us feeling, quite frankly, nauseous, no journey across the South Island of New Zealand felt complete without finding out what madness was going to happen next. Driving, cooking and breathing were all compromised whilst listening to My Dad Wrote A Porno but it is certainly one of the most entertaining, if questionable, cultural productions I have decided to commit to.

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Serial

About four episodes into Serial, we made the executive decision to stop listening to it. I have finished the podcast since returning to the UK, so I feel equipped to talk about it, but whilst in New Zealand, it had to be put aside. Listening to Serial was unsettling and jarring. On a surface level, hearing the gruesome details of the murder of Hae Min Lee was practically guaranteed to freak us out when we were camping alone in some secluded woods outside Rotorua. However, what unnerved me about Serial was not just the story that was being offered, but how it was being offered and why it was being offered at all.

Serial has been hailed as a cultural achievement for marrying investigative journalism with podcasting, bringing both to an enraptured mainstream audience. It has also been met with heavy criticism for its ethical ambivalence, using the murder of a young woman as entertainment and instigating listeners to turn into would-be detectives to pick holes in the court case against Adnan Syed. It is worth remembering that Hae Min Lee’s family have been extremely critical of the podcast in this regard, saying that ‘unlike those who learn about this case on the internet, we sat and watched every day of both trials – so many witnesses, so much evidence’, and for whom the whole experience of the case being resurrected through Serial has evidently been traumatising.[1] I think what is important about this quote, in addition to the enormous emotional distress that Lee’s family continues to experience, is the reference to all the witnesses and evidence that the family came into contact with. The problem with Serial is that so much of the information that viewers receive is secondary, so we are relying entirely on the honesty and integrity of Sarah Koenig to tell the story.

This becomes problematic when we know that Serial’s main intention is to entertain, not inform: Ira Glass, one of the producers of the show, described the aim of the podcast as: ‘We want to give you the same experience you get from a great HBO or Netflix series, where you get caught up with the characters and the thing unfolds week after week, but with a true story, and no pictures. Like House of Cards, but you can enjoy it while you’re driving’.[2] The aim of the show was to create a compulsive listening experience, in the same vein as House of Cards, Stranger Things, Orange is the New Black and any of the other shows that are uploaded to be binged on. This means, therefore, that it has been constructed in a certain way to keep us involved and on edge: important details and evidence can potentially be withheld or strung out to help build tension; Koenig’s own doubts become our doubts because she is leading us through evidence that we have no access to; and with its cliff hangers and teasers, it certainly does leave you perversely wanting more. It was so unnerving to listen to because I didn’t trust the facts because Koenig didn’t trust them, but also because I didn’t trust Koenig. I kept asking myself why she was doing this, what was the whole point? We receive the story as secondary information, yet Koenig acknowledges herself in an episode called ‘Rumors’ that some of the calls she gets from the public after the podcast’s broadcast were secondary information, and so inherently untrustworthy. It begs the question: how much of the entire podcast is actually reliable?

The main argument in favour of Serial would be that it has helped advance Adnan Syed’s journey to overturn his conviction; giving a man who has always professed his innocence impetus and evidence to appeal, thanks to public exposure and interest in the inadequacies of his defence and the case made by the prosecution. The shortcomings of the American legal system are laid out for us and it’s only right that an innocent man shouldn’t be condemned to live his life behind bars. It’s hard to argue with this; however, my problem with Serial is, again, to do with its process. In my opinion, one of the most revealing moments was when right at the end, we learn that Syed writes a letter to Koenig from prison, outlining how the whole experience of talking to her has disrupted the emotional equilibrium he has established living his life in prison. He writes that he has become anxious and afraid of judgment, and he’s looking forward to the whole experience being over. If the argument is made that Serial has helped Syed in any way, close attention has to be paid to this letter. The podcast has been emotionally damaging for Hae Min Lee’s family to live with, but this moment suggests that it has been emotionally damaging for Adnan Syed too.

Serial is an interesting listening experience and I’m glad I returned to it once we were back in the UK. However, I think we have to be very careful with real life stories, in particular those involving murder, that we don’t just consume them for entertainment. In the aforementioned quote, Ira Glass describes the people involved as ‘characters’, even though they are not imaginative abstractions. They are real people who live with the reality of what happened in 1999 and with the reality of wannabe detectives attempting to work out their lives for them on the internet. We might think we know everything about this case as a result of listening to the podcast, but I think it is ultimately untrustworthy, and needs to be regarded with a healthy degree of scepticism.

The Guilty Feminist

The Guilty Feminist

There are many aspects of this podcast that I love. Not least, it has introduced me to absolutely hilarious female comics that I had somehow spent my whole life not knowing about, for example Dana Alexander, Bisha K Ali, Desiree Burch and Sindhu Vee. In addition, any show that invites Gemma Arterton as a guest to talk about sexism within the film industry is on the right track: that woman is a much underappreciated theatrical and feminist icon whom I have loved unwaveringly since her seminal performance as Tess Durbeyfield in Tess of the D’Urbervilles. The Guilty Feminist is really great at making feminists feel better about our inconsistencies. In particular, the podcast provides a space for women to acknowledge that, against our better judgement, we can and do align ourselves with various sexist and patriarchal standards that we have been conditioned our entire lives to adhere to. In particular, this can revolve around the way we look, our expectations of men and how we perceive and judge other women. It is non-judgemental about this, making a point to laugh and make light of our ridiculous double standards. In doing so, the podcast encourages women to show the same empathy and compassion we hold for other women and their struggles, with our own internal contradictions and patriarchal anxieties. It is fun, funny and I’m not going to stop listening to it any time soon.

Perhaps my only criticism would be that at times, the podcast doesn’t want to be radical enough. I very much enjoy the focus it brings to women’s charities, youth campaigns, the burden of emotional labour etc. However, the outlook isn’t, at times, the transformational approach to feminism that I subscribe to. This manifests at times in the economic discussions that take place, which predominantly revolve around the pay gap. In one episode, entitled ‘It’s a Man’s World’, the argument was made that to help companies understand the value of women, feminists needs to adopt the language of economics to make our case of being ‘economically viable’ more convincing. I take issue with this because the language of economics is ultimately patriarchal. If it wasn’t, we wouldn’t be in a situation where women are generally paid less, are told that tampons are luxuries or suffer the most at the hands of austerity thanks to cuts to local services, childcare and crisis centres. Furthermore, whilst many women raise awareness of these issues through writing, speaking or on their political platforms, women seem to be consistently absent from the actual conversations and decision-making. If we were to use the language of economics to make ourselves more palatable to men, we would be using the language of patriarchy to get onto a better footing within the patriarchy. If we want to remove patriarchal structures, which extends to racial structures too, we need to change the language that props the entire system up.

Ultimately, however, the podcast is a great comforting and affirming endeavour. Women put a lot of pressure on themselves to be perfect (and I definitely include myself in that) and this podcast strips these unachievable and unrealistic expectations away. I think both women and men will be all the better for listening and engaging with it.

I would like to thank Char Bender, Mark Beer and Jess Action for their excellent recommendations. I’m finally catching up with you guys.

[1] ‘Serial case: victim’s family offers rare statement before hearing resumes’ [accessed 12:59, 12th June 2018] https://www.theguardian.com/tv-and-radio/2016/feb/07/serial-case-hae-min-lee-statement-adnan-syed-hearing-baltimore

[2]This American Life channels True Detective in popular new podcast’ [accessed 18:49, 14th June 2018] https://www.motherjones.com/media/2014/09/ira-glass-sarah-koenig-julie-snyder-serial-podcast-this-american-life/